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  • “Unfolding Into the World : A Conversation with Tory Fair.” Sculpture Magazine (July 2025).  <<https://sculpturemagazine.art/unfolding-into-the-world-a-conversation-with-tory-fair/>>

    “Gaming Precarity: A Conversation with Cathy Della Lucia.” Sculpture Magazine (January/February 2025). 

    “Cicely Carew on What is Bitter & What is Sweet.” Boston Art Review (January 2021). <<https://www.bostonartreview.com/read/issue-06-interview-cicely-carew-mallory-ruymann>>

    “Reaction: Janet Loren Hill’s Lurking Behind My Teeth at Space OneTwoOne.” The Rib (April 2, 2018) <<http://the-rib.net/project/janet-loren-hill-at-space-one-two-one>>

    “HARD: Subversive Representation at UMASS Boston.” Big Red & Shiny (March 7, 2018). <<http://bigredandshiny.org/39156/women-subverting-the-script-in-hard-subversive-representation/>>

    “Reaction: Water is Everything at Drive-By Projects.” The Rib (January 25, 2018). <<http://the-rib.net/project/water-is-everything-at-drive-by-projects>>

    “Shiny Pretty Things: Dave J. Bermingham at Alpha Gallery.”Big Red & Shiny (January 3, 2018). <<http://bigredandshiny.org/37915/shiny-pretty-things-dave-j-bermingham-at-alpha-gallery/>> 

    “Interpreting Jeffrey Schiff’s DisInterRuptions.” Big Red & Shiny (December 12, 2017)<<http://bigredandshiny.org/37660/interpreting-jeffrey-schiffs-disinterruptions/>>

  • “shape_shifting_support_systems/Interstitial Weaving Praxis.” Woventopia (Issue 6: Winter/Spring 2023): 172-179. Co-Author. 

    “Nuns as Gardeners: Using and Making Enclosed Gardens.” Athanor XXXIV (Summer 2017).

    “Vito Acconci’s Body: Performing Gender and the Feminist Perspective.” Parody: Mindful Subversions. Special issue of Third Floor Graduate Journal (April 2016): 86-93. on text goes here

  • Co-Author. STUFFED. Boston, MA: Boston University Art Galleries (2023).

    Co-Author. A Romance Of…. Boston, MA: Abigail Ogilvy Gallery (2023).

    Co-Author. shape_shifting_support_systems. Boston, MA: Praise Shadows Art Gallery (2022).

    Editor. Contemporary Art, Science, and the Sublime. Boston, MA: Massachusetts College of Art and Design (2017).

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